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View 200 Drones Carry Out a Choreographed Lip Sync in VWLS’ Newest Video

View 200 Drones Carry Out a Choreographed Lip Sync in VWLS’ Newest Video
Photo: Samantha Griffith (HobbesOne of many things we’re missing during quarantine has been the kind high-profile, high-budget music video release we’ve come to expect from our pop stars in the 21st century. Sure, Cardi B brought out a live tiger and Kylie Jenner for her “WAP” music video in August, but social distancing requirements —…

Illustration for article titled Watch 200 Drones Perform a Choreographed Lip Sync in VWLS Latest Music Video

Image: Samantha Griffith (Hobbes

One of numerous things we’re missing out on throughout quarantine has actually been the kind prominent, high-budget music video release we’ve come to get out of our pop stars in the 21 st century. Sure, Cardi B drew out a live tiger and Kylie Jenner for her “WAP” music video in August, however social distancing requirements– and the danger of transferring a hyper-contagious, air-borne virus– have actually largely made it so that the video launched in 2020 have actually necessarily been more controlled affairs.

The service, obviously, is to dispatch with the people and animals completely and simply movie whatever with drones, and on that front, we have Hobbes to thank. The Detroit, Michigan-based animation studio coordinated with Firefly Drone Reveals to produce the most recent video from VWLS, “High in Heaven,” which is performed and shot totally by a fleet of 200 remote-controlled flying devices.

The video includes the drones taking the form of a 300- foot-tall sensible face that lip synchronizes along to vocals carried out by Josh Epstein and Louie Louie.

Utilizing real-time face capture technology, Hobbes and Firefly Drone Reveals had the ability to more properly capture a genuine human likeness, calling in the “energetic” takes when the music swells and the “stoic” expressions when the face “required to be more monolithic or watchful.”

” As the sole focus of the video, it was essential to hit the best balance of likeness and abstraction for the look we desired,” Hobbes said in a statement. “The portrait is defined by positive line work, which lends itself to the drone format, and is similar to stone carving features, adding to its monolithic quality.”

In addition to having the ability to record all facial details remotely by sending out tracking information via e-mail, Hobbes said that utilizing Firefly’s private test field to movie drone flights naturally accommodated social distancing requirements, given that, after all, “we need 500 feet of clearance to fly any show.”

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